I'm back.. And I've grown up! haha.November 7, 2010
OH I'M SO BACK!!!!
I'm back.. And I've grown up! haha.April 1, 2009
My Vacation Photo Funtrip...

Okay, those were my photos. Haha! Weirdo!
Now this one is really cool. Haha. Hobby namin sa room na manggaya ng cover ng DVDs and Books or whatever na pwedeng gayahin.. Here's one more. . .
haha! Masaya naman diba?
This picture (above) haha... Another Power trip. Kalokohan ko yan. Well I'm sorry Stephenie Meyer, Twilight is no match to CokeLight. Hahaha.
These Photos naman (below) Pinalitan ko yung background or location, pero same photos padin! haha Cool diba?! (The originals together with the altered ones)
BEFORE
AFTER
BEFORE
AFTER
BEFORE
MEANWHILE . . .
AFTER
BEFORE

ENJOY
(hahaha *evil laugh*)
The Trend Of Prime Time Soap Opera for the Next Five Years (Research)
I.Background information, Additional Perspectives
In the Philippines, The soap opera was originated in radio then in the early 1960’s it was expanded on television. The first Filipino Soap Opera was entitled “Hiwaga sa Bahay na Bato” which was produced by ABS-CBN in the year 1963. These soap operas were usually shown during daytime; however during the year 1996, soap opera programming was moved to primetime because of the popularity gained by Mexican telenovelas also termed as Mexicanovellas that was first aired on RPN 9 (Marimar). This was the first trend in Philippine soap opera. That was also the start of telenovela (soap opera) craze in the country. The major networks then, such as GMA and ABS-CBN followed this trend by having local (Mara Clara & Familia Zaragoza) and foreign telenovellas in their timeslot. This was the trend that started on the year 1996. During the year 2000’s, another trend was introduced and there was a milestone in the Philippine telenovellas when Pangako Sa’yo was aired. This was known to be the official “teleserye” because of its subsequent soap operas shown on television. This set the standard of present teleserye productions in the Philippines. These teleseryes share some characteristics that are the same with soap operas and telenovellas but then teleserye has evolved into a different and unique genre with its own characteristics that usually reflects the social realism of Filipinos. They are aired in prime time five days a week. They attract a wide audience and command the highest advertising rates. They last for about three months up to a year, per teleserye depending on its rating and it ends with a climatic close.
Other forms of Philippine dramas are Serials and Anthologies which are shown on weekly basis, which is intentended to air a finite number of episodes, usually one season, depending on the ratings. For example are: Love Spell, Now Playing: Your song, Kakabakaba, AnaKareNina, etc.
Here is a list of some teleserye or telenovellas produced by the major TV stations in the country, aired in the past up to 2007:
PRODUCED BY ABS-CBN-2
1989-1996Annaluna (1989-1994) Mara Clara (1992-1997) Familia Zaragoza (1995-1997)
1997-1999
Sa Sandaling Kailangan Mo Ako (1998-2000) Esperanza (1997-1999) Marinella Mula sa Puso(1997-1999) (re-run 2002) Labs ko si Babes Saan Ka Man Naroroon (1999-2001)
2000-2002Pangako sa 'Yo(2000-2002) (re-run 2006)
Sa Puso Ko, Iingatan Ka (2001-2002) Sa Dulo ng Walang Hanggan (2001-2003) Kay Tagal Kang Hinintay (2001-2003) Recuerdo de Amor (2001-2002) Bituin (2002-2003)
2003
Sana'y Wala Nang Wakas (2002-2004)
Darating ang Umaga (2003-2004)
Basta't Kasama Kita (2003-2004)
It Might Be You (2003-2004)
2004
Marina(2004) Hiram (2004) Mangarap Ka (2004) Sarah The Teen Princess (2004) Maid in Heaven (2004) Krystala (2004-2005) Spirits (2004-2005)
2005
Til Death Do Us Part (2005) Ikaw Ang Lahat Sa Akin (2005) Mga Anghel Na Walang Langit (2005-2006) Kampanerang Kuba (2005) Vietnam Rose(2005) Ang Panday (2005)
2006
Sa Piling Mo (2006) Ang Panday Ikalawang Yugto (2006) Gulong ng Palad (remake:2006) Calla Lily (2006) Bituing Walang Ningning (2006) Crazy For You (2006) Super Inggo (2006-2007) Maging Sino Ka Man(2006-2007)
2007
Sana Maulit Muli, Maria Flordeluna, Rounin, Walang Kapalit
PRODUCED BY GMA-7
Pre-2001
Annaliza Halik sa Apoy Lira (1992-1996) Di Ba't Ikaw
2001
Ikaw Lang Ang Mamahalin(2001) (rerun-2006) Kung Mawawala Ka(2001-2003)
2002
Sana Ay Ikaw Na Nga Kahit Kailan Ang Iibigin ay ikaw Ang Iibigin ay Ikaw Pa rin Kahit Kailan (2002-2003)
2003
Habang Kapiling Ka (rerun-2006) Habang Kapiling Ka Ikalawang Yugto (rerun-2006) Hanggang Kailan Narito Ang Puso Ko Twin Hearts
2004
Forever In My Heart Te Amo, Maging Sino Ka Man Marinara (2004) Mulawin (2004-2005)
2005
Darna (TV Series) Encantadia (2005) Etheria (2005-2006) Sugo (2005-2006) Now and Forever (2005-2006) Mukha Ganti Agos Tinig Duyan Linlang Dangal
2006
Hongkong Flight 143 Encantadia: Pag-ibig Hanggang Wakas Majika Captain Barbell (2006-2007) I Luv NY Atlantika (2006-2007) Bakekang (2006-2007)
2007Asian Treasures Princess Charming Muli Super Twins Lupin
PRODUCED BY RPN-9 and IBC-13Analuna II: Hanggang Kailan Kaya (RPN-9) Boracay (IBC-13) Cebu (RPN-9) Bisperas Ng Kasaysayan (RPN-9} Davao: Ang Bagong Pag-asa (RPN-9) De Buena Familia (RPN-9) Flor De Luna (RPN-9) Gulong Ng Palad (original version, RPN-9) May Puso Ang Batas (RPN-9) Miranova (RPN-9) Paraiso (RPN-9,Diamonds Production) Ula, Batang Gubat (IBC-13)
Through the years, there had been changes in the story lines, twists, and somehow in the ending of the teleseryes. Here are some comparison between the classic soap opera and the modern soap operas today. For the Classic soap operas, their popular plot would be a love story between two different individuals, a rich individual who fell in-love with a poor individual, who are often separated by ill-fate. Their romance is often contradicted by the parents, relatives, or a third party. Another popular plot in Classic soap operas is the search of a parent for their child or vice versa wherein the story would begin with the child being separated from the family at birth or at childhood due to some unforeseen circumstances. Sometimes, the protagonist is exchanged and thus will suffer a miserable life. Teleseryes usually focus on love, betrayal, jealousy, social status, and revenge between characters. It is usually their family history and relationships that affect the later generation. On the other hand, Modern Teleseryes would have the common love stories renovated such as having a son or daughter to make the protagonist have the heart of the one he/she loves. Some are about sisters or best friends competing over popularity. Another is about a boy given to the church where he would change a lot of lives. These are just few examples of the story line of a modern soap opera.
Another point of comparison between Classic and modern teleseryes is the twist. For the classical soap operas the typical twists in the romance between couples is that they will find out that they were brothers and sisters, but in the end they will also find out that they were not siblings because one of them is an adopted child. Another twist that creates conflict is when they add new characters to an already convoluted plot which adds more twist in the story. Usually the girl will meet a new guy which will eventually be her new love-interest in the story thus creating a rift between the lead characters. Sometimes teleseryes play with its viewers that make another twist in the plot. For example a character which was known to be killed or died in the story will eventually appear in the latter part of the story. The usual reasons of these situations are that he or she was saved in the accident or maybe the person buried was not him or her. Then he/she would reveal a big secret that would resolve the conflicts of the story. That was the usual twists used before, but now for the modern soap operas, the twists include having the protagonists as the scapegoat for the wrongdoings of the villain which further make them suffer which he/she doesn’t know. Another example is the twist in time wherein lovers would meet in the beginning of the plot then one would die and the twist in time would happen, the one who died will be alive and won’t remember anything, in the end his/her lover would die in contrary to what happened before the twist. Another is the lead being able to talk to a God and solve a lot of problems. Another one is a protagonist turned antagonist-like because of his/her attitude towards difficult situations. These are some examples of the twists in modern teleseryes.
The third point of comparison can be the ending. The story usually ends with the villains meeting spectacularly violent, gruesome, painful and gory end. Most complications will reach a resolution and the protagonists will end up getting married and with a child, sometimes, even twins. Then live a happy life with his/her family. However, the predictability of teleserye endings have become an issue and audience sometimes complain that the plot and ending of teleseryes are becoming repetitive, predictable and tiresome. Because of this, scriptwriters have endeavored to change the ending of some teleseryes to provide additional twist and originality. That started the modern teleserye endings. Here the ending of the story is now very different, this can allow room for forgiveness and reconciliation between the main characters protagonists-antagonists. Another change is the death of protagonists who did not survive the tumultuous lives they have lived. Modern drama serial have also opened up possibilities for a series return where by the finale of the teleserye leaves a cliffhanger leading to a nail biting ending. This can open an opportunity for the series to make a return. These are the common ending of a modern teleserye the most likely introduce a part two of the teleserye that would keep the viewers and supporters waiting.
Another thing about Philippine teleseryes is that they’re being dubbed and aired in different countries abroad. Some examples are: Pangako Sa’yo (A promise) of ABS CBN which was a successful hit in Malaysia, Indonesia, Thailand, Cambodia, Namibia and Singapore. Its highest rating was in Indonesia garnering fifty percent; Mula sa Puso (From the heart) which began the Filipino teleserye sensation in Malaysia when it ran 180, 45-minute episodes on a national scale from Mondays to Fridays; Sa sandaling Kailangan mo ako (The moment you need me) which was dubbed in Malaysia, same with Kay tagal kang hinintay (The long wait); Sana’y wala nang wakas (Timeless) which was aired in Malaysia, Indonesia, Singapore, Cameroon, Kenya, Ghana, Tanzania, and Zambia; Sana Maulit Muli (Chances or Zhēn Aì Qí Yúan) which is dubbed and aired in Taiwan. This soap premiered on February 18, 2008; Kahit isang saglit (A time for us) aired in Malaysia and Singapore; Lastly is Bakekang (Bakekang) of GMA Network which was dubbed and aired in Malaysia and Indonesia.
There are new trends and variations in primetime soap operas. One is the Fantaserye or Telefantasia. It is the first form of variation in teleseryes. These are soap operas mixed with myth and fantasy. The very first of its kind was "Darating ang Umaga" produced by ABS CBN, however this wasn't officially called as fantaserye. The first official fantaserye was "Marina", introduced in 2003, also by ABS CBN. The term “Fantaserye” is used by ABS CBN and TAPE Inc., and the term “Telefantasya” is used by GMA Network. Some examples of these fantaserye or telefantasia in primetime are: Atlantika (2006-2007) Asian Treasures (2007) Captain Barbell (2006) Darna (2005) Encantadia (2005) Encantadia: Pag-ibig Hanggang Wakas (2006) Etheria: Ang Ikalimang Kaharian ng Encantadia (2005) Kampanerang Kuba (2005) Majika (2006) Marina (2004) Marinara (2004) Mulawin (2004) Panday (2005) Rounin Sugo (2005) Super Inggo (2006) Super Twins (2007).
Another trend used in primetime soap operas are the Sineserye or Cinenovelas. These are movies serialized for television. The first Cinenovela was "Ang Iibigin Ay Ikaw", introduced by GMA Network. However, this cinenovela wasn't based from a movie. It was called as cinenovela because the producers incorporate the elements of movie-making into television. The first movie immortalized into television was "Bituin Walang Ningning" by ABS CBN. On 2007 GMA Network again revived its own cine-novela. The term “Sineserye” is used by ABS CBN while “Cinenovela” is used by GMA Network. Examples of this genre are: Palimos ng Pag ibig, Hiram na Mukha, May minamahal, Natutulog ba and Diyos, Patayin sa Sindak si Barbara, Maligno, Panday, Eva Fonda, etc.
Other genres are: Action-serye is an action type soap opera produced by ABS CBN. (Basta't Kasama Kita); Music-serye is a musical type of soap opera produced by ABS CBN. (eBituin) ; Super-serye is a type of soap opera who's main characters is a fictional super-hero battling many different enemies. This genre was introduced by ABS CBN in 2004 for "Krystala”; Teen-serye is a youth oriented type of soap opera. (Sarah, the Teen Princess) Comedy-serye/Kwelanovela is soap opera mixed with comedy. Comedy-Serye is used by ABS CBN (Labs Ko Si Babes) while Kwelanovela is used by GMA Network (Marinara).
After these trends, another one came in this is the Asianovela. It is a popular slang in the Philippines for dubbed South Korean, Japanese and Chinese/Taiwanese TV series. The word Asianovela comes from the words "Asia" or "Asian" and "Novela" from the word "Telenovela". This term was created to define the difference of a normal telenovela to Asian-produced telenovelas. The slang was first used on local internet forums, and then became widely used by Filipino people. The very first Asianovela shown in the Philippines was Amazing Twins, a Taiwanese TV series in July 2002 on IBC-13, but it gained no popularity in the Philippines despite that it was dubbed into Tagalog language. On May 2003, ABS-CBN shown another Taiwanese TV drama titled Meteor Garden. It gained so much popularity, with its ratings reaching over 45% and F4 posters, CDs and shirts are everywhere. The popularity of this TV drama started the so-called "Asianovela craze" and "Meteor Garden Mania" in the Philippines. ABS-CBN later showned its prequel, Meteor Rain and sequel, Meteor Garden II and become successful as well. But Meteor garden wasn’t part of the primetime. The original Asianovela that was considered primetime soap opera is Endless Love: Autumn in My heart which is aired primetime on GMA-7 on the year 2003. Here are other examples of Asianovelas on primetime: Full House (GMA, 2005) Lovers in Paris (ABS-CBN, 2004 Stairway to Heaven (GMA, 2005) Jewel in the Palace (GMA, 2006) My Name is Kim Sam Soon (GMA, 2006) Autumn in my Heart (GMA, 2003) Only You (ABS-CBN, 2006) Spring Waltz (ABS-CBN 2007).
In the present, original Filipino soap operas are gaining back its trend. They are the ones popular today. The modern teleseryes are dominating the primetime. Some examples of primetime teleserye that are on top ratings are: Tayong Dalawa (ABS-CBN), May Bukas Pa (ABS-CBN), and Ang babaeng hinugot sa aking tadyang (GMA). For the next five years, of course Original Filipino Soap operas will continue to dominate the primetime. Asianovellas would more likely remain but not as powerful as before. According to a website, (Wikipedia) they had gathered information from the two major stations in the country, ABS-CB and GMA. They enlisted the upcoming shows prepared for the primetime of each station.
For ABS-CBN 2: Habang may buhay (Mid-2009, Drama); Utoy (Mid-2009, Fantasy-drama); Dahil May isang ikaw (2009, Drama Romance); Nagai-aida (No particular date, Drama); Super Inggo: Book 2 (No particular date, Fantasy/Kids); Nardong Putik (No particular date, Fantasy Romance); The Susan Roces Cinema Collection: Florinda(2009, Horror Suspense); Kokey Returns (2009, Sci-Fi Drama Fantasy); Langit Ng Pag-ibig (No particular date, Drama Romance);Sineserye Presents : Bagets (No particular date, Teen Romance)Sineserye Presents : Magkano Ang Iyong Dangal? (No particular date, Drama); Sineserye Presents: Dulce Amor (No particular date, Drama);Sineserye Presents: The Ramon Revilla Cinema Collection (No particular date, Action).
For GMA-7: Ngayon at Kailanman (2009, Heavy Drama); Zorro (2009); Rosalinda (2009, Melodrama Romance); Full House (No particular date, Melodrama); Coffee Prince (2009, Romantic Comedy); Pinakamagandang hayop sa balat ng lupa (2009, Melodrama); DoReMi (2009, Melodrama Musical); Muling buksan ang puso (2009, Melodrama); Kaya kong abutin ang langit (2009, Drama Suspense)
This is the list of the possible shows on primetime for this year to the next one. It can be seen that Filipino shows will still dominate the primetime, but these teleseryes are more on the trend of Sineseryes or Revisions of original Pinoy movies. Another thing is the Remake of more Asianovellas just like the trend today (Pinoy: My Girl, Ako si Kim Sam Soon, All about Eve). Same thing with Fantaseryes, they will continue to gain popularity as long as there are children patronizing these shows.
For the next five years, Some trends might still be the same but of course with great improvements and changes that would give satisfaction to the soap opera (Telenovela, Teleserye, Sineserye, Fantaserye) audience.
II.Situation Analysis: Political, Cultural, Social, Economic, Environmental condition
Soap operas are usually based on true to life incidences. There are stories written based on political, cultural, social, economic, environmental issues. For political conditions, teleseryes always have a Mayor or Governor in their list of characters that are very corrupt and money-centered, which are somehow the same with the real life. For the Cultural conditions, there was this soap opera entitled “Kahit Isang Saglit” Starring Jericho Rosales, A Filipino and Carmen Sue, A Malaysian. This Teleserye illustrates the values and culture of two nationalities that are bound together by love despite of the differences. For the Social conditions, teleserye usually involves social differences. There are always rich and poor characters. But usually the rich ones are noted as antagonists while the poor are the protagonists termed in Filipino as “Naaapi”. These are also in relation with the economic and environmental conditions. The poor characters can’t afford to have good houses, good jobs, they usually live in the streets or “barong-barongs” which are located in congested or squatter areas whereas the rich characters own their own companies, have the best jobs, have mansions but have a stone heart.
III.Social Implications, Consequences, Parallelism, Values
The Society. The Society are the ones mostly affected by telenovelas. They are the greater population and avid supporters of these telenovelas, whether they may be dubbed, drama, romantic, comedy, action, horror or just plain entertainment.The society are the bases of the storylines of the teleseryes and that is why there are called “trends” because these are demanded by the audience or in other term, “tinatangkilik ng manunuod”. Why do people love watching local dramas? Because they are classic and this trend was originated since the start of the soap operas. Why they love to watch Koreanovelas, Chinovelas and Asianovelas? It is because of the fast pace of the storyline and there is always something newevery time you would watch one and even though it was dubbed, the Filipinos appreciate it because of the faces of the foreign characters on-screen. Why they love to watch Sineseryes? Because of the climatic story and ideal plotting of a story. These serialized movies on primetime ranges from 3 weeks up to 5 weeks in the viewing that is why it doesn’t become boring because the viewers are trying to avoid missing an episode because one episode means a lot so they would say that the audience is “nakatutok gabi gabi”. These are some reasons why the society is very much interested on primetime telenovellas. It also becomes a relaxation habit mostly for those who work in the morning and for students who comes home from school.
Parallelism. Teleseryes are like mirror of the real world, it’s like putting the world’s characters, stories and problems inside a screen. It is parallel to every person watching. For every story one might say that one character symbolizes his or her life.
Values. There are a lot of values implanted by these teleseryes. One good example is the present running primetime teleserye May Bukas Pa, which shows a child, Santino, who can talk to God and can make miracles through God’s power. He shows us that there is always hope in everything, that no matter how difficult the situations may become, there will always be a way to solve things and that good always win over evil. Another one is for the Romantic teleseryes, they can instill values concerning love, respect, loyalty and faith to the person you love.
Consequences. In spite of the values instilled by these soap operas, there are also negativity in watching teleseryes. For example, in action-seryes, those children who would watch these might think that fighting is good, holding a gun is good, killing someone who puts you down is good. Of course parents must always guide and explain to their children the reason why these things are shown on TV, it’s not because it’s a good thing to do but it’s for the sake of the creativity of the show. Another thing is when Filipinos tend to live their lives as if they’re on a telenovela. They would insist that the same thing would happen to them. Like those who live in the squatters area, they would watch teleseryes and would say that “Ayan, kagaya ako niyan, magiging mayaman di ako kasi malalaman ko na anak ako ng isang mayaman tapos iiwanan ko na tong barong barong na tinitirahan naming tapos…” But they would expect something to happen, they want to be rich but then they aren’t working hard. These are just few of the consequences in watching telenovelas.
IV.Conclusion
Through the years, Soap operas had been continuously changing and developing. They are evolving according to the societal basis. Different trends had been accepted by the audiences: Mexicanovelas, Fantaseryes, Koreanovelas, Chinoovelas, The original and traditional Filipino teleseryes that lasts for almost a year, The Action-seryes, Musical-seryes, Comedy-seryes and the Sineseryes. These trends might continue to develop or even improve for the coming years. Some new trends might be introduced but for sure, Filipinos would more likely accept these new trends just like how we accepted the varieties of trends introduced before.
V.Personal Learning, Experiences, Insights
It’s like I have been brought back to my younger years while thinking of the telenovelas that I’ve watched before. While I was tracing back the teleserye timeline, I realized how we Filipinos love to watch TV programs every night. A Filipino’s night at home won’t be complete without watching teleseryes. And I believe that this soap opera craze will continue up to the following years, I hope so, despite of the growth of technology, these teleseryes remain to be a part of every Filipino’s Life.
VI.Recommendation
This research can be recommended for those who are very interested and very fond of watching primetime soap operas. This might help them analyze and evaluate the growth of Philippine soap operas. This can also be recommended to the writers and producers of the soap operas. It can help them see the effect of what they write and what they produce and Lastly, to the Mass Communication students who would later enter the life behind these telenovelas or soap operas, so that they would know how trends affect the preservation and destruction of a program.
VII.References
http://kapamilyanovelas.multiply.com/journal/item/13/13. List and details of all asianovelas aired at the Kapamilya Network ABS-CBN
www.igma.tv/shows.php iGMA.tv, the official website of GMA-7
www.abs-cbn.com ABS-CBN website. Broadcast television network serving the Philippines and Filipinos worldwide
www.answers.com/topic/abs-cbn-broadcasting-corporation. All about ABS-CBN history and programs.
http://asianovela.blogspot.com/. First and true home of asianovela
http://www.geocities.com/pinoytv/birth.htm, What’s the story, pinoy TV? The history of Philippine Television. Companion website to the thesis on the history of Philippine television. Ellen Joy Anastacio and Janine Natalie Badiola. College of Mass Communication, University of the Philippines, Diliman. 2000.
http://www.tvhistory.tv/pre-1935.htm
www.geocities.com/pinoytv/birth.htm, What’s the story, pinoy TV? The history of Philippine Television:
ABS-CBN Broadcasting Corporation: Pinoy Television: The Story of ABS-CBN. Pasig City: Benpres Publishing Inc., 1999.
www.iGMA.tv The official website of GMA Network
www,abs-cbn.com. The official website of ABS-CB
February 5, 2009
ARE FILIPINOS DEPENDENT?
Filipinos really are dependent, proven for 425 years under Spaniards, Americans and Japanese, but the reason for their dependence is that the foreign colonizers want the Filipinos to be dependent on them. It’s not the Filipinos’ will to follow them, to be with them, and to do what those foreign people did.
It was said that Philippines became independent in the year 1946, and it actually happened. They had their own republic, own government and the like, but Filipinos can hardly let go of the influence from the Colonizers. In the present, Filipinos are getting more and more dependent to foreign countries and foreign cultures. There are different proofs that this problem is actually happening right now.
Restaurants, clothes, television shows, and music, these are just few examples of Filipino dependence. As we can notice in restaurants, foreign foods are more in demand to Filipinos today such as: Tokyo-Tokyo, Starbucks, Sbarro and a lot more. Imported clothes are also more reliable depending on more Filipinos. Dickies, Guess, Girbaud, these are the more preferred clothes than the local ones. In music, many Filipino music are only translations of the original foreign music. A lot of songs were turned into Tagalog and even Bisaya, such as, Sometimes when we touch (Ojo Kaluguran Daka), Beautiful Girls (Binibining ganda), Low, Crank that, Clumsy and a lot more. Another noticeable thing is in Television shows. A lot of the shows today are franchised from foreign countries, reality shows, Korea novellas and others. Examples are: Survivor, Big brother, Fear factor, My girl, LaLola, Betty La Fea, Kim Sam Soon, Family Feud. These shows are all franchised and originally made in foreign countries. Did the Filipinos become incapable of creating their own shows that’s why they are just dependent on other countries?
I have supposed that “in the present” Filipinos are getting more and more dependent (compared to the past of course) because; they are not anymore ruled by other countries. No one dictates them what they have to do, but rather FILIPINOS NOW HAVE THEIR OWN CHOICE and they chose to be dependent on foreign countries and cultures, which is a lot worse than what happened in the past.
RADIO HISTORY

Here's something about the Radio History... This was our Assignment in Intro. to Broadcasting, I posted this cause I think it might help others taking the same field ^_^
I. BACKGROUND INFORMATION, ADDITIONAL PERSPECTIVES
The term “radio” was used even before Heinrich Hertz proved the existence of radio waves. Originally it is the prefix meaning radiant or radiance hence the radio-activity of the alpha, beta and gamma rays are emitted by decaying atoms. In November 19, 1904, the Electrical Review noted that “radio-telegraphy” must be used into practice. The 1906 Berlin Radiotelegraphic Convention helped them in spreading this term in the United States.
Moreover, the term “broadcasting” – distributing information widely - also started way before Hertz discovered radio waves. The term was already used in newspapers because it already meant – distributing the message to various points – hence one Electrician in London commented that it might be advantageous to shout the message, spreading it to broadcast to receivers in all locations (Monthly Catalogue: United States Public Documents, August, 1913.)
There were a lot of people behind the Radio we know today. Here are some of the inventors who started it all. Heinrich Hertz (1887) discovered the radio waves; he ran electric current through coil that produces the same thing in another coil in the room across. The invention was followed by Gugliemo Marconi’s wireless device (1896) that could send Morse Codes from a transmitter to a receiver. He combined Edison’s electric power, Hertz’s coil and Morse’s telegraph keys. He registered his patent in England and manufactured radio equipment to allow the ships in the sea to communicate through Morse codes.
Years later, an Electrical Engineering Professor Reginald Fessenden (1906) Made the first voice transmission through a fast, continuous-wave generator that broadcasts human voice and music. One year after, Lee de Forest invented a vacuum tube "audion" which made it easier to pick up and amplify radio signals. And then Fessenden together with de Forest, provided the breakthrough which would make radio broadcasting possible. “Prior to Marconi's work several practical attempts had been made to transmit intelligence to a distance by means of electro-magnetic waves without the aid of connecting wires between the sending and the receiving stations…” (The American Monthly Review of Reviews, August, 1904, pages 191-197, Maver). These improvements were made possible through years and already made a great commercial success and valued a lot in navigations most especially in ships.
Radio also made great technical strides during the World War I (1914-1919). The navy took over the radio industry to use it only for military purposes. “The military importance of radio was immediately apparent. In August, 1914, the Belgians had to completely destroy a major international communications station located near Brussels, in order to keep it from falling into the hands of the advancing German army…” (Henry M. De Gallaix, from the November, 1919 Radio Amateur News). Years later, (1918) the Radio Telephones had its success, not only in ships, but also in airplanes. By means of the radio telephone, it was possible for a ground observer to talk to pilots in the air miles away. Commanders of aero squadrons could voice warnings to all their pilots as to the movements of enemy aircraft, and squadron formations of all sorts could be maintained in the air as easily as infantry units on the ground. The wireless telephone messages could be delivered at a distance of several miles. (Telephony, November 23, 1918, page 17, American-Developed Radio Telephone Success in Airplanes).
Two years after the war, Radio went back into business. The RCA - Radio Corporation of America – was a company formed after the war. Its stock was held by AT&T, General Electric and Westinghouse, wherein they become fierce competitors after some time. I became hard for them to envision that broadcasting could make money, but on the year 1920, Frank Conrad, an Engineer who busied himself with radio as hobby, built a radio transmitter that broadcasts recorded music, reporting sport scores and sharing the abilities of his sons. He also announced over Pittsburgh KDKA that Warren G. Harding won the US presidential elections, making KDKA the oldest radio station in the history of radio.
Bringing Radio to Philippines, during the 1920’s an American businessman opened radio stations as a demonstration channel for his electric supply business. The first American who had the test radio broadcast in the country was Mrs. Redgrave and another one is Henry Herman who started the commercial radio broadcasting in the Philippines. He was the businessman who had the first 50-watt station and later, he replaced it with 100-watt station which is KZKZ. The call letters used in the Philippines was “KZ” because it was the one being used in US.
During the 1930’s, radio became the hottest medium for promotion. The first advertisements were done through voice announcements with lively and catchy tunes. The Filipino Radio performers must sound like Americans. And it didn’t take much time for the Filipino local performers to be noticed, so the Localization in radio began. The Philippine Radio became more Filipino.
The Philippine Radio in World War II started in the bombing of Pearl Harbor (1941-1945) and caused significant change in radio programming. The Japanese ordered all radio stations to be closed and left only the KZRH and named it PIAM. There was a time when Japanese and Filipinos both used the radio as a medium, Until the Filipinos heard Gen. Mc Arthur’s Voice of Freedom.
After the WWII, (1940-1960) Philippine Radio grew, and became a more effective medium of entertainment, news dissemination and advertising, 62% of the Filipino Household had them. They also had the country’s own all letters which is DZ or DW for Luzon, DY for Visayas and DX for Mindanao.
Radio had a big part in People Power Revolution (1986). It was responsible for the gathering of millions of Filipinos in EDSA which became a historical event in the country.
II. SOCIAL IMPLICATIONS, CONSEQUENCES, PARALLELISM, VALUES
The Society. Radio played great roles in the Society. During the World War I, in the US, Radio became an aid for wounded soldiers. In one article it says “…fifty portable or hospital receiving sets, for use on fifty different beds. By placing one of these sets between two beds and equipping it with two receivers, each receiving set may be made to bring joy and relief to a pair of our wounded fighting men.” (The Wireless Age, April, 1918, pages 590, 593: Wireless Music for Wounded Soldiers. Albert Marple). This was an example that radio isn’t just a device for communication but rather it so happened that it became a device for helping those people who are starting to lose their lives.
It also gives opportunities to others. Just like how Frank Conrad started, he showcased the talents of his sons. Another is an article about a navy man, Richard D. Swanson, who was just trying to demonstrate the transmission of music from a talking machine and he said that although his radiophone set was only capable of transmission within a 45 mile radius, navy operators in New York, 143 miles away, had heard his concert. (Radio Amateur News, November, 1919, page 294: Navy man gives Albany concert by Radiophone.) And not to forget the Filipino talents and radio performers who gives entertainment to the listeners.
Parallelism. They said that history repeats itself. Similarities happened during the WWI and WWII. In WWI, The navy took over the radio and used it only strictly for military purposes. The same thing happened in WWII. Japanese ordered all radio stations to be closed leaving only one station for their own use.
Same thing happened here in our country; “The voice of freedom” was twice heard. The first one came from Gen. McArthur during the World War I and the second one was from Jaime Cardinal Sin which signaled the beginning of revolution.
Values. Radio developed several values that we people have. One thing is concern and giving importance. There was a time during the WWII when the Filipinos brought a short wave transmitter and other radio parts in Corregidor to operate literally an “underground” radio station inside the Malinta tunnel for them not to be arrested by the Japanese soldiers. They did it for the Filipinos to be able to hear Gen. McArthur’s voice of freedom.
Another thing is unity. Millions of Filipinos gathered around EDSA as one, for justice and peace. They had one advocacy that is to end the Martial Law which happened to be much abusive of the Filipino rights.
Consequences. Nothing is perfect as they say, so is radio. There are also disadvantages brought by radio. One thing is about Payola. It is one good example of corruption, wherein companies pay the DJ’s or the radio station itself for them to play their music. It’s a negative thing that actually happened in the radio industry.
III. CONCLUSION
To sum things up, the development of radio is continuous. It doesn’t just stop when it reached the Philippines but rather it influenced a lot. It brought the digital age to the country wherein before, Filipinos only depend on papers, on verbal news and person-to-person transmission of messages. It became easier for the people to communicate and to disseminate information. To record important documents and information that would remain up to the future.
IV. PERSONAL LEARNING
Radio isn’t just a communication device. It is a medium that played great roles in the history. It became part of each and everyone not only here in the Philippines but also in different countries most especially where it started, in the United States. It became part of many historical events in the world. It helped a lot in the society and acted out as one of the most important things in human life. It also signified the start of improving technology, developed the capabilities of different inventors and boosted digital communications and broadcasting.
Radio as a human invention, had its flaws. It can cause negative impacts to people nevertheless it its positive effects has more edge than the negative ones.
V. REFERENCES
A. Websites:
earlyradiohistory.us/ United States Early Radio History, Thomas H. White, Articles and extracts about early radio and related technologies, concentrating on the United States in the period from 1897 to 1927.
oldradio.com/archives/international/philippines.html/ Philippine Section of The Broadcast Archive, Maintained by: Barry Mishkind - The Eclectic Engineer. 2033 S. Augusta Place, Tucson, Arizona 85710.
B. Books:
Introduction to Mass Communication Media Literacy and Culture, Stanley Baran, McGraw-Hill Companies, Inc., 2006. Chapter 6: Radio and Sound Recording.
Philippine Mass Communication Today, Crispin Maslog, New Day Publishers, 11 Lands St. 1226, QC., 2007. Chapter 14: Philippine Broadcasting, Chichi Robles and Ramon Tuazon.
Media and Culture: an introduction to Mass Communication, Richard Campbell, Christopher Martin, Bettina Fabos. Bedford, St. Martins. 2006. Chapter 3: Sound Recording and Popular Music, Chapter 4: Popular Radio and Origins of Broadcasting
C. Articles and Extracts:
These articles and extracts were all under earlyradiohistory.us/ United States Early Radio History, which is a compilation of writings about the early radio in USA.
Monthly Catalogue: United States Public Documents, August, 1913
Electrical Review, November 30, 1901, page 670: What Shall We Call It?
Scientific American Supplement, April 20, 1895, page 16087: A Semaphore Telegraph Station
The Yearbook of Wireless Telegraphy and Telephony, 1913, pages 323-326: Wireless Telegraphy and Mercantile Marine
Harper's Weekly Magazine, February 21, 1903, page 298: American Wireless Telegraphy
Telephony, November 23, 1918, page 17: American-Developed Radio Telephone Success in Airplanes
Radiotelegraphy (U.S. Signal Corps), October, 1916, pages 85-86: Radio Apparatus in use in the signal corps.
The Wireless Age, April, 1918, pages 590, 593: Wireless Music For Wounded Soldiers.
The American Monthly Review of Reviews, August, 1904, pages 191-197: Wireless Telegraphy Today, William Maver Jr.
Radio Amateur News, November, 1919, page 294: Navy Man gives Albany Concert by Radiophone.
December 31, 2008
Welcome year 2009!!!
It's a rainy start for a new year.. I'm at home, entertained by colorful fireworks outside. The view is great here (sa may terrace syempre) Have a happy year ahead. a Lot of things happened the Past year. one greatest thing about it was that, I became 18!!! haha ^_^ Cheers for me! everything was great. Hmm. . . It's already 11:45 so I guess I have to go now. . . HAPPY NEW YEAR!!!(to be continued. . . )
December 17, 2008
TWILIGHT BAWANG!
This was re-posted! haha.. ang cool kasi, namantay ako katatawa! I acknowledge the writer.. kung sino ka man... _______ mo! ASteg.. haha!!! Yun na un!Because of TWILIGHT's phenomena..timely tlga ito..this is for all Twilighters out there..
kasi pare ganito daw yun. may isa daw babae na hot daw pare. pero maputla siya kasi hindi siya inalagaan ng nanay niya pare. tapos pare emo daw siya kasi nga daw hindi siya mahal ng mundo at para siyang patay na bata na galit sa mundo. tapos pare, lumipat daw siya ng tirahan kasi daw masyado daw siyang emo para sa luma niyang tirahan. sabi niya sa nanay niya "tangina mo nay gusto ko lumipat kay tay". tangina pare hindi nagalit nanay niya. sabi lang ng nanay niya "tangina mo pare wag ka magmura".so lumipat siya sa tatay niya di ba? pagkarating niya dun sabi niya, "tangina erpat bakit maulan dito?" sabi ng erpat niya "gago "bur" months na! malamig na tangena". so nagtaka yung babaeng simula ngayon ay tatawagin na lang nating "babaeng maputla at emo".so pumasok siya sa school di ba? binigyan siya ng truck ng tatay niya pare. sabi ng tatay niya "tangina mo sa'yo na tong truck ko". sabi niya "salamat tay".pagkarating niyang school tsong, may nakita siyang lalaking mukhang bangkay pero pogi. sakto. pogi pero mukhang bangkay. sabi ni babaeng maputla at emo "hot pare".nung chem lab na ni babaeng maputla at emo, natagpuan niyang lab partner niya yung poging bangkay. so nung tinignan siya nung poging bangkay, ang asim ng mukha nito. mukhang nandiri ata kay babaeng maputla at emo.sabi ni poging bangkay "tangina mo". sabi ni babaeng maputla at emo "tangina KA". sabi ni poging bangkay "tangina NIYA oh *tumuro sa teacher nila*". sabi ni babaeng maputla at emo "oo nga noh. TANGINA MO". sabi ni poging bangkay "tangina mo gago bampira ako". tapos naghubad siya ng damit at kumintab ang katawan niya kasi linagyan niya ng glitters ang abs niya kasi tigas siya at ganun na ang mga tigas ngayon na nagpupuntang emba.so pare na in love si babaeng maputla at emo kay poging bangkay. si poging bangkay naman sige lang kasi sex din daw yun. so ayun. ang shweet shweet nila."eow poh... ahihihihi""bebe mwahugz,..... ^^,"so tapos nun nagpunta sila sa damuhan kasi.... alam mo na. tapos sabi ni poging bangkay "ikaw na buhay ko ngayon" sabi ni babaeng maputla at emo "tangina mo gago patay ka na". sabi ni poging bangkay "TANGINA KA".tapos nagsex silaso basically pare yun lang yung mga importanteng nangyari sa buong storya. intense noh? kaya pala nahhook lahat ng tao. akala ko overrated. hindi pala. astig pala.
Oha oha! STirr!! hahaha....Pakamatay na ko!^_^ Emo na maputla..Asan na patay ko!?
December 6, 2008
Manny Pacquiao won over Dela Hoya!

PINOY PRIDE:MANNY PACQUIAO DEFEATED OSCAR DELA HOYA ON THE 8th ROUND! CONGRATULATIONS!! PINOY PRIDE!
The Dream Match is over!
^_^ Manny "Pride of the Filipinos" Paquiao..
We always love you and pray for you!
Wala kang kupas!
God bless you and your family!
Para sa mga hindi nakanood ng laban niya.. here's the site
http://pacquiaovsdelahoyaupdates.blogspot.com/
I commend this site and im grateful sa blogger na gumawa niyan!
^_^ dahil sa'yo nakapanuod ako ng Live and Free! Thank you Pinoy!!!
+Proud to be Filipino!+
U-turn
We usually do things together before. Spend hours on the phone, ngayon wala na. Kada magriring ung telepono, umaasa ako na siya ung tumatawag. Na sana pagsagot ko, boses niya ung maririnig ko. pero hindi. hindi na ata niya naaalala ultimo yung telephone number ko. Before, we always go home together, I always wait for him. Kahit gano ka Late. Kahit gano kagabi. We walk together, side by side, sometimes we even hold hands, lalo pag maginaw. But now?... Wala na.
Wala nang together, meron na lang ALL together. Kasama yung buong company niya sa block nila. We're always with everyone. parang laging may party kapag uuwi kami. We never had the time to talk about each other. wala nang kamustahan. wala ng jokes. wala ng bonding. wala ng "namiss kita" wala ng "kmusta ka na?" wala nang "ok ka lang ba?". Wala na lahat.
Maybe I was just used to being with him. Masyado akong naniwala na nadyan lang siya para sakin. Na may Forever talaga, na may angel talaga, na wala naman na pala. akala ko maayos parin lahat, naniniwala akong hindi siya nawawala, na andyan parin siya, na hindi parin niya ko iniiwanan.. Pero mahirap lokohin ang sarili eh. Ndi ko nagawa, lumabas rin yung totoo. Masakit. Sobra. ang daming nawala kasama niya. "I will protect you until I die", yung "I will never let you fall", yung "hinding hindi kita iiwanan", yung "iiwananan ka ng lahat, pero ako hindi". Asan na lahat?.. Wala na. Yung lamig ng boses niya habang sinsabing "wag kang malungkot".. Naglaho kasabay ng pagpatak nung luha ko.
Mula nung araw na unti unti na siyang nawawala, walang araw na hindi ako umiyak. I always wanna be happy. I love to laugh. Pero parang nawala ko rin ata yung sarili ko, kasabay niya.
Hindi ko masabi sa kanya lahat. Natatakot ako. Natatakot akong sabihin na "pwede ka na bang bumalik? miss na miss na kasi kita eh".. Natatakot ako na sa kada titingin ako sa mga mata niya, lalo akong nangungulila.. at lalo kong hindi matanggap na wala na. Na tapos na lahat. Na kahit magunaw ung mundo, hinding hindi na siya babalik. Hindi na.
Every beautiful movie has to end. Every fireworks dispaly only last for minutes. Every bubble blown has to pop. Tulad namin. kailangan din matapos. wala na. wala nang maibabalik. dahil walang nasimulan.
One day, nagulat na lang ako, nandyan sya sa harap ko, he lifted me and hardly let me fall.. literally. He was my Lifter nung cheering. And just like every flyer, I Fell. I fell in love with him. Stupid me. Sobrang Stupid.
We became friends, bestfriends, almost lovers, but never were. Hanggang dun na lang un. BestFriend niya ko, at ganun di ako sa kanya. Nothing more. naging masaya kami. We spend everything together. Promised a lot to each other. Gave a lot. and now, I lost everything.
Wala na siya, i never thought na mula palang nun, bilang na pala ung mga araw namin. Na pagkatapos ng laro nila, tapos narin ung palabas namin. :(
Ndi ko alam kung san ako lulugar, hindi ako pwedeng humingi ng kahit ano sa kanya dahil masasaktan lang ako. Wala siyang obligasyon sakin. Kaibigan lang niya ko. Bakit nga ba hindi ko naisip na pwede niya kong iwanan kahit na anong oras. Na bawal ako magreklamo. Bwal ako pumalag. Pwede lang akong masaktan. Umiyak. Manahimik. Hanggang dun lang ang parte ko sa natapos naming palabas.
And now, here I am. Wishing na sana bumalik pa siya. Na sana maranasan ko pa ulit lahat. Na sana makita ko ulit ung mga ngiti na nabibigay namin dati sa isa't isa...
Ngayon wala na siya. May kasama na siyang iba. May nagpapangiti na sa kanyang iba. May mahal na ata siya. Na hanggang ngayon hindi ko parin kayang itanong sa kanya... "Mahal mo na ba siya?".. Dahil alam ko sa sarili ko na ayokong marinig ung sagot. At kung marinig ko man, hindi ko kakayaning tanggapin.
Eto ako, Umaasa parin.
Naghihintay.
Kahit alam kong wala na.
Minsan kada makikita ko siyang palayo, gusto ko nalang magkabit ng karatula sa harap niya na:
"DEAD END, PLEASE MAKE A U-TURN"
Maybe, Just maybe...
Makita niya na may nasagasaan siya,
na dapat balikan.
:'(
+Masakit+
Sing what you can't say..
Lately I see clouds of sorrow in your eyes
Some deep sadness you can never quite disguise
Now I’m scared to ask what it’s leading to
But I’m more afraid of not asking you
Is there something that you want to tell me
Is there something that I ought to know
Are we something that’s still worth fighting for
Or should I simply let you go
Is there something I can do to reach you
Are we something more than history
I’ll find some way to convince you to stay
If you just tell me honestly
Is there something left of you and me
You’ve got secrets you’ve been keeping for too long
And I’m going crazy acting like there’s nothing wrong
I can taste the truth every time we kiss
And I can’t go on
At least not like this
I don’t want to lose you
But what’s the use of holding on
I don’t really have you
If the feeling’s gone
Is there something I can do to reach you
Are we something more than history
If there’s no way to convince you to stay
And be the way we used to be
Then there’s something that I want to tell you
And I want you to believe it’s true
We had something that I’ll never forget
Even if I wanted to
‘Cause part of me will always be with you…
FOREVER I'M SORRY
You said that you’d be mine, forever
I took the road with you, forever
You said that I’m the man, forever
You whisper not to worry, forever
You said that it’s better, forever
If I stay here with you, forever
The weather changes like the music fades
And the promise you made will fade away
Forever I’m sorry
Forever I’m sorry
Forever I’m sorry
Forever I’m sorry
You said that you did not lie, I’m sorry
You answered with no questions, I’m sorry
You said that dreams will come alive, I’m sorry
There’s no hope to try, I’m sorry
You said that you’re sorry, I’m sorry
If I forgive you, I’ll lie, I’m sorry
Time tells a lie as you show you lie
Collide within my soul
You took me out, you took control
Tell this love to fail as you keep me in vain
Surprised to hit my bone
You take me out, you fake me, and you clone










